Anupamaa is currently taking over our television screens. The show is doing amazingly well and has the highest weekly BARC ratings right now. Rupali Ganguly portrays the lead role in addition to portraying her husband Anuj. The latest track is focused on the difficult split between Anuj and Anupama. Read Anupamaa Written Update below.
Vanraj feels free to return to Anupama now that Anuj is no longer a part of her life. Anupama, however, properly responds to Vanraj and is quite clear that she will never abandon Anuj and wait for his return. Vanraj makes fun of Anuj and Anupama’s unbreakable bond as children. Vanraj soon asks Anupama a startling question after losing control of his emotions.
What if Anuj never comes back? he queries. Devastated Anupama screams at Vanraj for disparaging Anuj. She isn’t mentally prepared to accept that Anuj won’t be returning to her anytime soon. Anupama is left alone in a mandir by Vanraj as she anxiously awaits Anuj’s return.
Anupamaa Written Update
Vanraj once told Anupamaa that while Anuj is not like him, every man is like him. According to him, a woman wants to give all for her partner, but a man is only interested in himself and takes advantage of women. He keeps disparaging Anuj, saying things like, “Anuj despised Anupama for meeting her children and maternal family, but didn’t speak freely. He got a chance when Little Anu left and screamed out his fury. Finally, he claims he can’t stand to see her in this state and has come to take her home as his employee, not a guest.
Anuj wanders around in a disorganized state, barefoot. Vanraj is pushed away by Anupama, who refuses to visit his home. Given the grief her spouse caused her, Vanraj begs her not to become obstinate. Anupama claims she will keep her husband’s misery to herself and won’t disgrace him by disclosing it to others. She answers Anu. Anupama warns him not to address her as Anupama and advises him to go take care of his wife instead of disparaging her spouse. She claims that she refused to allow his nazar/evil gaze to fall on her joy and that she won’t do the same with her grief.
She asserts that her husband is extremely hurt and that it was natural for him to react in that way. Vanraj is unable to criticize her husband for anything, she claims. Building a temple for her husband and praying to his statue, advises Vanraj, may cause him to appear in front of her shortly. Anupama may display his care for her, but it doesn’t matter one bit to her if her husband returns or not; he is just a passerby to him and shouldn’t dare interfere in her life. Vanraj claims that he was only.
He is advised to depart by Anupama. She can call Anuj if she needs assistance because, according to him, it is his responsibility to do so. After all, she helped him when he needed it most. He wonders what she’ll do and where she’ll go if she can’t find Anuj. Anupama remarks that he only thinks negatively, so how could he think that way? Vanraj claims he is only making a practical point. God will assist her, according to Anupama. As Hasmukh and the kids start to worry about her, Vanraj advises her to let people know where she goes. Anupama promises to give them a call. Vanraj departs feeling irritated and let down.
Anuj and Anupama resume their stroll. In the background, a song called Banjar Hai Sab Banjar Hai is playing. Anuj stumbles and the photo of Anupama and Little Anu falls from his pocket, His tears fall on the photo, and he picks up the photo, and he resumes walking. No matter how far they walk, Anupama mutters, they will inevitably cross paths again. After hearing Anupama say that he doesn’t love her, Anuj experiences a panic attack. A voice from within him asks why the matter has become so complicated and why he has arrived at this point. Anuj claims he was dragged here and didn’t come on his own. His inner voice reminds him that Anupama is correct; he forgot the distinction between right and wrong. If he is mistaken, Anuj queries. Anupama’s love should not be questioned, and it is improper to disrespect her, leave her alone, and leave the house.
