Bholaa Movie Review – A remake of an ancient formula that adds excessively heavy weather. It’s unlikely that the Ajay Devgn-starring film Bholaa will make you scream “bum bum bhole” with glee. The movie is a letdown. It creaks and croaks its way to a climax that issues a threat that there is more on the way. It is loud, prone to excess, and wilting under its own weight.
If there was any life left in Lokesh Kanagaraj’s film, it is sucked out by Bholaa, the official remake of the Tamil hit Kaithi (of which there is already a sequel in the pipeline), which offers an insipid, slapdash rehash that depends only on Ajay Devgn’s star power. Even if he gives it everything, the severe creases are hardly covered.
Movie Details:
Director: Ajay Devgn
Distributed by: Panorama Studios, PVR Pictures
Language: Hindi
Cast: Ajay Devgn, Tabu, Raai Laxmi, Amala Paul, Deepak Dobriyal, Sanjay Mishra, and ensemble.
Run Time: 2 hours 23 minutes.
Genre: Adventure, Action.
Where to watch? – At the theatres!
Bholaa Movie Review:
The actor is highlighted in the screenplay by a group of four authors (Aamil Keeyan Khan, Ankush Singh, Sandeep Kewlani, and Shriidhar Dubey). Except from the aesthetic sheen that Aseem Bajaj’s cinematography gives the movie, that is all it is. Bholaa significantly deviates from the Kaithi script. The changes don’t really matter, though, unless a formidable woman in a uniform replaces a male Indian Police Service officer. Worse, they hurt the movie’s prospects of passing for a passable thriller.
The way the hero is portrayed in Bholaa is one significant way that it differs from Kaithi. He was a rough character who never lost his corporeal qualities in the original screenplay. He was hungry, filled with misgivings, and hurt physically as he went about his work. In Bholaa, it is desired to elevate the recently released prisoner to the rank of an all-powerful deity, no less than Shiva the Destroyer and the Protector. He is a guy of few words, but when he does talk, he prefers to use stuffy sermons rather than seeming like a man who is desperately seeking a second chance at life.
The portrayal of Bholaa as an invincible larger-than-life figure endowed with the power to return at will from the jaws of death any number of times severely undermines the emotional impact of the story, which centres on a convicted father who has never met his daughter and is on his way to meet the girl who lives in a Lucknow orphanage.
Screenplay:
Diana Joseph (Tabu), the caretaker of police, is specifically looking for a superhuman at this time because the department is dealing with two problems at once. A ruthless gang led by the cocaine-snorting sadist Ashwathama aka Ashu is in risk of regaining control of 1,900 kilogrammes of cocaine that were found in a subterranean bunker during a significant narcotics bust (Deepak Dobriyal). He is the younger brother of Vineet Kumar, a fugitive drug lord that no one has ever seen in the open.
Two, 40 police officers who were rendered unconscious by alcohol laced with Rohypnol are being transported 80 kilometres away to a hospital. The five officers who stopped the criminals’ truck and seized their shipment of contraband are to be killed, and the enraged crooks are out to waylay the broken-down lorry. In order to protect the cocaine and the police, Diana enlists Bholaa’s help. During the course of one night, a number of exciting action set pieces take place on a road, in a forest, and inside a police station.
An elderly havildar named Angad Yadav (Sanjay Mishra) finds himself in the middle of the action in the police station. The policeman is tasked with holding Ashu and his deadly goons at bay until Diana, Bholaa, and Kadchi, a biryani caterer hired to lead the officers out of the woods, arrive. He is stranded with three students who have been detained for drunken behaviour and a female who is in love with one of the males.
Storyline:
Diana has nothing to be afraid of because Bholaa is solidly on her side. The battalions of threatening soldiers sent to stop him in his tracks are more than up against it with this guy. With the same ease that he uses a trishul and a rapid-firing multiple-barrel pistol, he can repel them with his bare fists, cleavers, and daggers.
The objective of bringing in the trident, which has no place in Kaithi, is to give the hero a celestial aura that instantly outshines the villains. No matter what Bholaa does to demonstrate his invulnerability, the dance of death he unleashes across a number of action scenes is tedious and laborious.
Characters who mattered in Kaithi are diminished to complete nonentities since Devgn dominates everything else (including the storyline). An undercover police officer who infiltrates the drug trafficking gang and a corrupt police officer (Gajraj Rao), who strikes a deal with the drug dealers, are among the worst victims. They linger on the periphery of the action.
The fate of Makarand Deshpande, who plays a jail inmate who tells everyone within earshot tales of Bholaa’s legendary exploits, and Kiran Kumar, who plays an inspector-general of police whose subordinates consume the poisoned potion that leaves them sedated and dangling between life and death, is not any different. The raconteur emphasises that he is not an ordinary man. Kitno ko bhashm kar deta hai jab yeh bhashm lagata hai pata nahin (when he applies holy ash to his forehead there is no count of how many he sends to their doom).
Last Word:
Because Bholaa, which is exactly the same length as Kaithi, is focused completely on ensuring that the lead actor does not yield any ground to the rest in the cast, the secondary and tertiary characters are given absolutely no space to grow. Naturally, Tabu makes the most of the material she receives, but she still receives second-class treatment. Only Sanjay Mishra and Deepak Dobriyal, who exude menace, are given any other acting opportunities (exuding simmering doggedness).
Amala Paul briefly appears in a flashback intended to explain why Bholaa’s life has played out the way it has in a non-speaking role. It is an unnecessary addition that only serves to lengthen the movie and does the actress no justice. Kaithi was a songless movie with an almost flawless background soundtrack by Sam C.S., who incorporated sounds coming from within the frames into the musical backbone of the movie and made space for evocative changes in pitch and volume levels to enhance the action situations.
There are several songs in Bholaa, including an item number that Raai Laxmi sings. But the obstinate and overblown background music does not fade out. Bholaa receives the KGF treatment from composer Ravi Basrur, who also rustles up some music that sounds like an attack on the ears. Of course, the constant noise fits with what Bholaa wants to accomplish. It is a movie that tries everything and still gets off track.
So, this was all about the Bholaa movie review. Bollywood Hush would rate the film 3 stars out of 5. Click here to get more latest Bollywood film reviews.
