Satyaprem Ki Katha Movie Review- Finally, Kartik Aryan is back on our screens. After Bhool Bhulaiya 2, Kiara Advani and Kartik Aryan are back together in a new film. Read on for the movie review.
Movie Details:
Star Cast: Kiara Advani, Kartik Aryan
Director: Sameer Vidwans
Runtime: 2 hours 26 minutes
Budget: ₹60 crore
Produced By: Sajid Nadiadwala, Shareen Mantri Kedia, Kishor Arora
Cinematography: Ayananka Bose
Distributed By: Pen India Limited
Release date: 29 June 2023
Where to watch? At the theatres!
Storyline:
Satyaprem nicknamed Sattu (Karthik Aaryan) falls in love with Katha (Kiara Advani), a stunning aspiring singer from a wealthy Gujarati family in Ahmedabad, the moment he sets eyes on her. But their love story is more complicated than Sattu could have thought.
Satyaprem Ki Katha Movie Review:
Satyaprem’s life is far from perfect due to a failed legal exam, lack of a job or friends, and continual jabs from his maa-behen (as he likes to call them) at home, but no matter what, his toothy smile never fades. His only friend who truly understands him is his father (Gajraj Rao). When his son develops a crush on Katha, a remarkably attractive woman who is not just out of his league but also has a boyfriend who is also extremely wealthy, Dad encourages him.
But Sattu discovers a glimmer of hope when his gossipy father, Panchayati Kaka, informs him that Katha’s prem kahani with her partner has come to an end permanently. Without bothering to inquire as to why they broke up, Sattu approaches Katha with his grin and starts to confess his love to her. At that point, a new chapter in his tragic one-sided love affair with the girl, who is keeping a big secret, begins.
Storyline:
Any additional plot details would definitely constitute a spoiler. Let’s just say, however, that Satyaprem ki Katha isn’t the kind of movie you would have anticipated it to be based solely on the trailer. This film, which features some of the top Gujarati and Hindi film actors and actresses, is anything from a hysterical comedy. It is incisive, moving, and sends a strong statement. Where the movie falters is in its plodding narrative, which is bogged down in a circle of issues that keep happening. A few comic socio-cultural jabs are thrown by author Karan Shrikant Sharma, who targets traditional Gujarati households and dishes like dhokla, Khakra, and gota. However, the overall goal of the movie is to deliver a social message. While doing so, the story frequently sags with moments that underutilize the available talent.
Playing the simpleton Sattu, who thinks that “sach bolne se pehle sochna kya,” Kartik Aarayn once again wears his heart on his sleeve and displays his pearly whites more often than necessary. There is no disputing that Kartik’s primary strength is portraying a relatable boy next door, and he does it incredibly well once more. Even with his garbled Gujarati accent, it’s simple to support him. It fits with his persona as a dim-witted loser and is nevertheless lovable.
Screenplay:
Here, Kiara Advani must play a more challenging part. The unspoken emotion in Katha’s story must be understood, and the actress perfectly captures the accent and spirit of the character. The best performance of her career, Kiara gives a superb and restrained performance in a challenging part. By depicting an unorthodox middle-class family in Ahmedabad where the women not only control the home but also make sure the men are well aware of the profoundly non-patriarchal dynamic, director Sameer Vidwans and his writer give their women a voice.
However, there are also lines like “aap pe aise sau baidiyan qurbaan,” which Sattu tells his father, that directly contradict the film’s theme. However, despite the inconsistent dialogue, a superb cast of character performers, including Gajraj Rao, Supriya Pathak, and Siddharth Randeria, convincingly portray their roles. Rajpal Yadav’s appearance, which had a great deal of potential to provide amusing relief, is completely wasted. The soundtrack, which was composed by Manan Bhardwaj and Payal Dev, fits the story nicely and is highly musical.
The controversially reworked rendition of Shae Gill and Ali Sethi’s classic Pakistani chart-topper “Pasoori,” performed by Arijit Singh and Tulsi Kumar, doesn’t have any lasting effects. The cosmopolitan yet traditional aura of Ahmedabad is expertly captured by cinematographer Ayananka Bose. The need to preach and deliver a message is what propels Satyprem Ki Katha. Although the topic does move you and give you a lot to consider, it often goes in a more emotional direction than an amusing one.
